List the 3 New Styles of Art and Explain How They Helped People During the Time Period

Abstract Expressionism

The designation 'Abstruse Expressionism' encompasses a wide variety of American 20th-century art movements in abstract art. Also known as The New York School, this movement includes large painted canvases, sculptures and other media equally well. The term 'action painting' is associated with Abstract Expressionism, describing a highly dynamic and spontaneous application of vigorous brushstrokes and the effects of dripping and spilling paint onto the canvas.

Art Deco

Emerging in France before the First World War, Fine art Deco exploded in 1925 on the occasion of the Exposition des Arts Décoratifs (Exhibition of Decorative Arts). Blurring the line between different mediums and fields, from compages and furniture to article of clothing and jewelry, Art Deco merged modern aesthetic with skilful craftsmanship, avant-garde engineering, and elegant materials.

Art Nouveau

A decorative style that flourished between 1890 and 1910 throughout Europe and the U.South. Art Nouveau, also chosen Jugendstil (Germany) and Sezessionstil (Austria), is characterized by sinuous, asymmetrical lines based on organic forms. Although it influenced painting and sculpture, its master manifestations were in architecture and the decorative and graphic arts, aiming to create a new style, free of the imitative historicism that dominated much of 19th-century art movements and design.

Avant-garde

In French, avant-garde means "advanced guard" and refers to innovative or experimental concepts, works or the grouping or people producing them, especially in the realms of civilization, politics, and the arts.

Baroque

The term Baroque, derived from the Portuguese 'barocco' meaning 'irregular pearl or stone', is a motility in fine art and architecture developed in Europe from the early on seventeenth to mid-eighteenth century. Baroque emphasizes dramatic, exaggerated motility and clear, easily interpreted, detail, which is a far weep from Surrealism, to produce drama, tension, exuberance, and grandeur.

Bauhaus

The school of art and design was founded in Federal republic of germany by Walter Gropius in 1919 and shut down by the Nazis in 1933. The faculty brought together artists, architects, and designers, and developed an experimental educational activity that focused on materials and functions rather than traditional fine art school methodologies. In its successive incarnations in Weimar, Dessau, and Berlin, it became the site of influential conversations about the office of modernistic art and design in society.

Classicism

The principles embodied in the styles, theories, or philosophies of the unlike types of art from aboriginal Hellenic republic and Rome, concentrating on traditional forms with a focus on elegance and symmetry.

CoBrA

Founded in 1948 in Paris, CoBrA was a short-lived yet ground-breaking post-war group gathering international artists who advocated spontaneity as a means to create a new club. The name 'CoBrA' is an acronym for the home cities of its founders, respectively Copenhagen, Brussels and Amsterdam.

Colour Field Painting

Often associated with Abstract Expressionism, the Colour Field painters were concerned with the utilize of pure abstraction but rejected the agile gestures typical of Action Painting in favor of expressing the sublime through large and flat surfaces of contemplative colour and open compositions.

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Conceptual art

Conceptual art, sometimes simply chosen conceptualism, was ane of several 20th-century fine art movements that arose during the 1960s, emphasizing ideas and theoretical practices rather than the creation of visual forms. The term was coined in 1967 by the creative person Sol LeWitt, who gave the new genre its name in his essay "Paragraphs on Conceptual Fine art," in which he wrote, "The idea itself, fifty-fifty if not made visual, is equally much a piece of work of fine art as any finished product."

Constructivism

Developed past the Russian avant-garde around 1915, constructivism is a branch of abstract art, rejecting the idea of "art for art'southward sake" in favour of art every bit a practice directed towards social purposes. The movement's work was more often than not geometric and accurately composed, sometimes through mathematics and measuring tools.

Cubism

An artistic movement began in 1907 by artists Pablo Picasso and Georges Braque who adult a visual linguistic communication whose geometric planes challenged the conventions of representation in different types of art, by reinventing traditional subjects such as nudes, landscapes, and still lifes equally increasingly fragmented compositions.

Dada / Dadaism

An artistic and literary movement in fine art formed during the Outset World War as a negative response to the traditional social values and conventional artistic practices of the different types of art at the fourth dimension. Dada artists represented a protestation movement with an anti-establishment manifesto, sought to betrayal accepted and oft repressive conventions of order and logic by shocking people into self-awareness.

Digital Fine art

Digital Art broadly covers a variety of creative practices that utilize unlike electronic technologies and result in a final product that is besides digital. From reckoner graphics to virtual reality, from artificial Intelligence to NFT technology, the Digital Fine art spectrum is broad, innovative, and under the spotlight of the contemporary fine art market.

Expressionism

Expressionism is an international artistic movement in art, architecture, literature, and performance that flourished between 1905 and 1920, especially in Deutschland and Austria, that sought to express the meaning of emotional experience rather than physical reality. Conventions of the expressionist manner include distortion, exaggeration, fantasy, and vivid, jarring, violent, or dynamic application of colour in order to express the artist's inner feelings or ideas.

Fauvism

Coined by the critic Louis Vauxcelles, Fauvism (French for "wild beasts") is ane of the early 20th-century art movements. Fauvism is associated peculiarly with Henri Matisse and André Derain, whose works are characterized past potent, vibrant colour and bold brushstrokes over realistic or representational qualities.

Futurism

Adequately unique amid different types of fine art movements, it is an Italian development in abstract art and literature, founded in 1909 by Filippo Tommaso Marinetti, aiming to capture the dynamism, speed and energy of the modern mechanical world.

Harlem Renaissance

Emerged after the First World War in the predominantly African-American neighbourhood Harlem in New York, the Harlem Renaissance was an influential motility of African-American art spanning visual arts, literature, music, and theatre. The artists associated with the movement rejected stereotypical representations and expressed pride in black life and identity.

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Impressionism

Impressionism is a 19th-century art move, associated especially with French artists such as Claude Monet, Pierre Auguste Renoir, Camille Pissarro and Alfred Sisley, who attempted to accurately and objectively record visual 'impressions' by using pocket-size, thin, visible brushstrokes that coalesce to course a unmarried scene and emphasize move and the irresolute qualities of light.

Installation Art

Installation art is a movement developed at the same time as pop art in the tardily 1950s, which is characterized past large-calibration, mixed-media constructions, ofttimes designed for a specific identify or for a temporary period of fourth dimension. Often, installation fine art involves the creation of an enveloping aesthetic or sensory feel in a particular environs, ofttimes inviting active engagement or immersion by the spectator.

Land Art

Land fine art, likewise known as World art, Environmental art and Earthworks, is a uncomplicated fine art movement that emerged in the 1960s and 1970s, characterized by works made directly in the mural, sculpting the land itself into earthworks or making structures in the mural using natural materials such as rocks or twigs. It could be seen as a natural version of installation art. Land art is largely associated with Not bad Britain and the U.s. only includes examples from many countries.

Minimalism

Some other i of the art movements from the 1960s, and typified by works composed of simple art, such every bit geometric shapes devoid of representational content. The minimal vocabulary of forms made from apprehensive industrial materials challenged traditional notions of craftsmanship, the illusion of spatial depth in painting, and the idea that a work of abstract art must be 1 of a kind.

Neo-Impressionism

A term applied to an avant-garde art movement that flourished principally in France from 1886 to 1906. Led by the case of Georges Seurat and Paul Signac, Neo-Impressionists renounced the spontaneity of Impressionism in favour of a measured and systematic painting technique known as pointillism, grounded in scientific discipline and the report of optics.

Neoclassicism

Almost the opposite of pop art in terms of inspiration, this manner is one that arose in the second half of the eighteenth century in Europe, drawing inspiration from the classical art and culture of Ancient Greece and Ancient Rome, which is not uncommon for art movements.

Neon Art

In the 1960s, Neon Art turned a commercial medium employed for advertising into an innovative creative medium. Neon lighting immune artists to explore the relationship between calorie-free, color, and infinite while tapping into pop culture imagery and consumerism mechanisms.

Op Art

Op Art is an abridgement of optical art, a form of geometric abstract art that explores optical sensations through the use of visual effects such equally repetition of simple forms, vibrating colour-combinations, moiré patterns, foreground-background confusion, and an exaggerated sense of depth. Op Fine art paintings and works employ tricks of visual perception similar manipulating rules of perspective to give the illusion of 3-dimensional space.

Functioning Fine art

A term that emerged in the 1960s to describe different types of art that are created through actions performed past the creative person or other participants, which may be live or recorded, spontaneous or scripted. Performance challenges the conventions of traditional forms of visual art such as painting and sculpture past embracing a diversity of styles such as happenings, body art, actions, and events.

Popular Fine art

Pop Art emerged in the 1950s and was equanimous of British and American artists who draw inspiration from 'pop' imagery and products from commercial culture as opposed to 'elitist' fine fine art. Pop art reached its peak of activity in the 1960s, emphasizing the banal or kitschy elements of everyday life in such forms as mechanically reproduced silkscreens, large-calibration facsimiles, and soft pop art sculptures.

Postal service-Impressionism

'Mail service-Impressionism' is a term coined in 1910 past English art critic and painter Roger Fry to describe the reaction against the naturalistic depiction of light and colour in Impressionism. Artists like Paul Cézanne, Paul Gauguin, and Vincent van Gogh developed a personal fashion although unified by their interest in expressing their emotional and psychological responses to the world through assuming colours and frequently symbolic images.

Precisionism

Precisionism was the first real indigenous modern fine art movement in the The states and contributed to the rise of American Modernism. Taking its cues from Cubism and Futurism, Precisionism was driven past a desire to bring construction dorsum to art and celebrated the new American landscape of skyscrapers, bridges and factories.

Rococo

Rococo is a movement in art, particularly in compages and decorative art, that originated in France in the early 1700s. Rococo art characteristics consist of elaborate ornamentation and a light, sensuous fashion, including scrollwork, leafage, and fauna forms.

Street Fine art

Evolving from early on forms of graffiti, Street Fine art is a thought-provoking art movement that emerged in the 1960s and peaked with the spray-painted New York subway railroad train murals of the 1980s. Street artists apply urban spaces as their canvas, turning cities around the globe into open up sky museums and accept often found their fashion into the mainstream fine art world.

Surrealism

Founded by the poet André Breton in Paris in 1924, Surrealism was an artistic and literary movement that was active through World War II. The main goal of Surrealism painting and Surrealism artworks was to liberate thought, language, and homo experience from the oppressive boundaries of rationalism by championing the irrational, the poetic and the revolutionary.

Suprematism

Found to be a relatively unknown member of the different types of abstract art movements, outside of the art world that is. A term coined by Russian artist Kazimir Malevich in 1915 to describe an abstract style of painting that conforms to his belief that art expressed in the simplest geometric forms and dynamic compositions was superior to before forms of representational art, leading to the "supremacy of pure feeling or perception in the pictorial arts."

Symbolism

Symbolism emerged in the second one-half of the nineteen^th century, mainly in Cosmic European countries where industrialisation had developed to a great degree. Starting as a literary movement, Symbolism was presently identified with a young generation of painters who wanted art to reflect emotions and ideas rather than to correspond the natural world in an objective way, united past a shared pessimism and weariness of the decadence in mod lodge.

Nil Group

Emerged in Germany and spread to other countries in the 1950s, Nothing Group was a group of artists united by the want to move away from the subjectivity of post-state of war movements, focusing instead on the materiality, color, vibration, light, and movement of pure abstract fine art. The main protagonists of the grouping were Heinz Mack, Otto Piene, and Günther Uecker.